Tag Archives: artistic

Desert Lake: Art, Science and Stories from Paruku

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Desert Lake: Art, Science and Stories from Paruku by Steve Morton, Mandy Martin, Kim Mahood, John Carty
2013 | ISBN: 0643106286 | English | 312 pages | PDF | 94 MB

Desert Lake: Art, Science and Stories from Paruku
Desert Lake is a book combining artistic, scientific and Indigenous views of a striking region of north-western Australia. Paruku is the place that white people call Lake Gregory. It is Walmajarri land, and its people live on their Country in the communities of Mulan and Billiluna.

This is a story of water. When Sturt Creek flows from the north, it creates a massive inland Lake among the sandy deserts. Not only is Paruku of national significance for waterbirds, but it is has also helped uncover the past climatic and human history of Australia.

The Walmajarri people of Paruku understand themselves in relation to Country, a coherent whole linking the environment, the people and the Law that governs their lives. These understandings are encompassed by the Waljirri or Dreaming and expressed through the songs, imagery and narratives of enduring traditions. Desert Lake is embedded in this broader vision of Country and provides a rich visual and cross-cultural portrait of an extraordinary part of Australia.
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Jazz-Rock Keyboard: Hal Leonard Keyboard Style Series by T Lavitz

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Jazz-Rock Keyboard: Hal Leonard Keyboard Style Series by T Lavitz
English | Jan 1, 2008 | ISBN: 0634034286 | 56 Pages | PDF | 3 MB

Jazz-Rock Keyboard: Hal Leonard Keyboard Style Series by T Lavitz
(Keyboard Instruction). Learn what goes into mixing the power and drive of rock music with the artistic elements of jazz improvisation in this comprehensive book. This instructional tool delves into scales and modes, and how they can be used with various chord progressions to develop the best in soloing chops. The book also provides an introduction to rhythmic comping styles and chord voicing, providing the player with the skills needed to really groove.
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Choreographing Difference: The Body and Identity in Contemporary Dance by Ann Cooper Albright

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Choreographing Difference: The Body and Identity in Contemporary Dance by Ann Cooper Albright
English | Sep 15, 1997 | ISBN: 0819563218, 0819563153 | 244 Pages | PDF | 11 MB

Choreographing Difference: The Body and Identity in Contemporary Dance by Ann Cooper Albright
The choreographies of Bill T. Jones, Cleveland Ballet Dancing Wheels, Zab Maboungou, David Dorfman, Marie Chouinard, Jawole Willa Jo Zollar, and others, have helped establish dance as a crucial discourse of the 90s. These dancers, Ann Cooper Albright argues, are asking the audience to see the body as a source of cultural identity – a physical presence that moves with and through its gendered, racial, and social meanings.

Through her articulate and nuanced analysis of contemporary choreography, Albright shows how the dancing body shifts conventions of representation and provides a critical example of the dialectical relationship between cultures and the bodies that inhabit them. As a dancer, feminist, and philosopher, Albright turns to the material experience of bodies, not just the body as a figure or metaphor, to understand how cultural representation becomes embedded in the body. In arguing for the intelligence of bodies, Choreographing Difference is itself a testimonial, giving voice to some important political, moral, and artistic questions of our time.
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The Body in Pain: The Making and Unmaking of the World by Elaine Scarry

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The Body in Pain: The Making and Unmaking of the World by Elaine Scarry
English | Apr 23, 1987 | ISBN: 0195049969 | 400 Pages | PDF | 15,4 MB

The Body in Pain: The Making and Unmaking of the World by Elaine Scarry
Part philosophical meditation, part cultural critique, The Body in Pain is a profoundly original study that has already stirred excitement in a wide range of intellectual circles. The book is an analysis of physical suffering and its relation to the numerous vocabularies and cultural forces–literary, political, philosophical, medical, religious–that confront it.

Elaine Scarry bases her study on a wide range of sources: literature and art, medical case histories, documents on torture compiled by Amnesty International, legal transcripts of personal injury trials, and military and strategic writings by such figures as Clausewitz, Churchill, Liddell Hart, and Kissinger, She weaves these into her discussion with an eloquence, humanity, and insight that recall the writings of Hannah Arendt and Jean-Paul Sartre.

Scarry begins with the fact of pain's inexpressibility. Not only is physical pain enormously difficult to describe in words–confronted with it, Virginia Woolf once noted, "language runs dry"–it also actively destroys language, reducing sufferers in the most extreme instances to an inarticulate state of cries and moans. Scarry analyzes the political ramifications of deliberately inflicted pain, specifically in the cases of torture and warfare, and shows how to be fictive. From these actions of "unmaking" Scarry turns finally to the actions of "making"–the examples of artistic and cultural creation that work against pain and the debased uses that are made of it. Challenging and inventive, The Body in Pain is landmark work that promises to spark widespread debate.
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Directing: Film Techniques and Aesthetics

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Directing: Film Techniques and Aesthetics by Michael Rabiger, Mick Hurbis-Cherrier
2013 | ISBN: 0240818458 | English | 560 pages | PDF | 12 MB

Directing: Film Techniques and Aesthetics
This comprehensive manual has inspired tens of thousands of readers worldwide to realize their artistic vision and produce well-constructed films. Filled with practical advice on every stage of production, this is the book you will return to throughout your career.

Directing covers the methods, technologies, thought processes, and judgments that a director must use throughout the fascinating process of making a film. The core of the book is the human, psychological, and technical knowledge that every director needs, the enduring elements of the craft that remain vital.

Directing also provides an unusually clear view of the artistic process, particularly in working with actors and principle crew to achieve personally expressive storytelling and professionalism on any budget.

Directing explores in detailed and applicable terms how to engage with the conceptual and authorial sides of filmmaking. Its eminently practical tools and exercises show how to: discover your artistic identity; develop credible and compelling stories with your cast and crew; and become a storyteller with a distinctive voice and style.

The companion website includes teaching notes, dozens of practical hands-on projects and film study activities to help you master technical and conceptual skills, film analysis questionnaires, and all the essential production forms and logs.

New to the fifth edition

* Virtually every chapter has been revised, updated, and re-organized for a streamlined and integrated approach.
* Expanded sections on the basics of drama, including thorough analyses of recent films
* Discussions of the director’s approach to script analysis and development
* New discussion exploring the elements of naturalistic and stylistic aesthetic approaches.
* New discussion on the narrative power of lighting and the lens – including many recent film examples for shot size, perspective, focus and exposure
* Greater emphasis on the implications of composition, mise-en-scene, continuity shooting and editing, long take shooting, point-of-view sequences, and camera handling
* Expanded discussion of collaboration between the director and principle creative crew
* Updated coverage of workflow and comparative advantages to digital or film acquisition
* New section on film production safety, set protocol and etiquette
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Directing: Film Techniques and Aesthetics

FREEDownload : Directing: Film Techniques and Aesthetics

Directing: Film Techniques and Aesthetics by Michael Rabiger, Mick Hurbis-Cherrier
2013 | ISBN: 0240818458 | English | 560 pages | PDF | 12 MB

Directing: Film Techniques and Aesthetics
This comprehensive manual has inspired tens of thousands of readers worldwide to realize their artistic vision and produce well-constructed films. Filled with practical advice on every stage of production, this is the book you will return to throughout your career.

Directing covers the methods, technologies, thought processes, and judgments that a director must use throughout the fascinating process of making a film. The core of the book is the human, psychological, and technical knowledge that every director needs, the enduring elements of the craft that remain vital.

Directing also provides an unusually clear view of the artistic process, particularly in working with actors and principle crew to achieve personally expressive storytelling and professionalism on any budget.

Directing explores in detailed and applicable terms how to engage with the conceptual and authorial sides of filmmaking. Its eminently practical tools and exercises show how to: discover your artistic identity; develop credible and compelling stories with your cast and crew; and become a storyteller with a distinctive voice and style.

The companion website includes teaching notes, dozens of practical hands-on projects and film study activities to help you master technical and conceptual skills, film analysis questionnaires, and all the essential production forms and logs.

New to the fifth edition

* Virtually every chapter has been revised, updated, and re-organized for a streamlined and integrated approach.
* Expanded sections on the basics of drama, including thorough analyses of recent films
* Discussions of the director’s approach to script analysis and development
* New discussion exploring the elements of naturalistic and stylistic aesthetic approaches.
* New discussion on the narrative power of lighting and the lens – including many recent film examples for shot size, perspective, focus and exposure
* Greater emphasis on the implications of composition, mise-en-scene, continuity shooting and editing, long take shooting, point-of-view sequences, and camera handling
* Expanded discussion of collaboration between the director and principle creative crew
* Updated coverage of workflow and comparative advantages to digital or film acquisition
* New section on film production safety, set protocol and etiquette
Download link:
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Making Music Modern: New York in the 1920s

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Making Music Modern: New York in the 1920s by Carol J. Oja
English | Nov 16, 2000 | ISBN: 0195058496 | 512 Pages | PDF | 6 MB
New York City witnessed a dazzling burst of creativity in the 1920s. In this pathbreaking study, Carol J. Oja explores this artistic renaissance from the perspective of composers of classical and modern music, who along with writers, painters, and jazz musicians, were at the heart of early modernism in America. She also illustrates how the aesthetic attitudes and institutional structures from the 1920s left a deep imprint on the arts over the 20th century.

Making Music Modern: New York in the 1920s
Aaron Copland, George Gershwin, Ruth Crawford Seeger, Virgil Thomson, William Grant Still, Edgar Varèse, Henry Cowell, Leo Ornstein, Marion Bauer, George Antheil-these were the leaders of a talented new generation of American composers whose efforts made New York City the center of new music in the country. They founded composer societies–such as the International Composers' Guild, the League of Composers, the Pan American Association, and the Copland-Sessions Concerts–to promote the performance of their music, and they nimbly negotiated cultural boundaries, aiming for recognition in Western Europe as much as at home. They showed exceptional skill at marketing their work. Drawing on extensive archival material–including interviews, correspondence, popular periodicals, and little-known music manuscripts–Oja provides a new perspective on the period and a compelling collective portrait of the figures, puncturing many longstanding myths.

American composers active in New York during the 1920s are explored in relation to the "Machine Age" and American Dada; the impact of spirituality on American dissonance; the crucial, behind-the-scenes role of women as patrons and promoters of modernist music; cross-currents between jazz and concert music; the critical reception of modernist music (especially in the writings of Carl Van Vechten and Paul Rosenfeld); and the international impulse behind neoclassicism. The book also examines the persistent biases of the time, particularly anti-Semitisim, gender stereotyping, and longstanding racial attitudes.
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Johnny Cash: The Biography by Michael Streissguth

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Johnny Cash: The Biography by Michael Streissguth
English | Sep 4, 2006 | ISBN: 0306813688, 0306815656 | 368 Pages | PDF | 5,4 MB

Johnny Cash: The Biography by Michael Streissguth
To millions, Johnny Cash was the rebellious Man in Black, the unabashed patriot, the redeemed Christian-the king of country music. But Johnny Cash was also an uncertain country boy whose dreams were born in the cotton fields of Arkansas and who struggled his entire life with a guilt-ridden childhood, addictions, and self-doubt. A sensitive songwriter with profound powers of musical expression, Cash told America and the world the stories of a nation's heroes and outcasts.Johnny Cash: The Biography explores in depth many often-overlooked aspects of the legend's life and career. It examines the powerful artistic influence of his older brother, Roy, and chronicles Cash's air force career in the early 1950s, when his songwriting took formand when he purchased his first guitar. It uncovers the origins of his trademark boom-chicka-boom rhythm and traces his courtship of Bob Dylan in the folk revival era of the 1960s.Johnny Cash also delves into the details of Cash's personal life, including his drug dependency, which dogged him long after many thought he had beaten it. It unflinchingly recounts his relationships with his first wife, Vivian Liberto, his second wife, June Carter Cash, and his children. And it follows Cash as man and musician from his early years of success through the commercially desolate years of the 1980s to his reemergence under the influence of producer Rick Rubin-and association that revitalized his career yet raised contradictions about Cash's values and craft.Scrupulously researched, passionately told, Johnny Cash: The Biography is the unforgettable portrait of an enduring American icon.
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Modernist Fiction and Vagueness: Philosophy, Form, and Language

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Modernist Fiction and Vagueness: Philosophy, Form, and Language by Megan Quigley
English | Feb 28, 2015 | ISBN: 110708959X | 246 Pages | EPUB/MOBI/AZW/PDF (Converted) | 5 MB
Modernist Fiction and Vagueness marries the artistic and philosophical versions of vagueness, linking the development of literary modernism to changes in philosophy. This book argues that the problem of vagueness – language's unavoidable imprecision – led to transformations in both fiction and philosophy in the early twentieth century.

Modernist Fiction and Vagueness: Philosophy, Form, and Language
Both twentieth-century philosophers and their literary counterparts (including James, Eliot, Woolf, and Joyce) were fascinated by the vagueness of words and the dream of creating a perfectly precise language. Building on recent interest in the connections among analytic philosophy, pragmatism, and modern literature, Modernist Fiction and Vagueness demonstrates that vagueness should be read not as an artistic problem but as a defining quality of modernist fiction.
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Like a Bomb Going Off: Leonid Yakobson and Ballet as Resistance in Soviet Russia

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Like a Bomb Going Off: Leonid Yakobson and Ballet as Resistance in Soviet Russia by Ms. Lynn Garafola
English | Jan 13, 2015 | ISBN: 0300207638 | 536 Pages | EPUB/MOBI/AZW/PDF (Converted) | 15 MB
Everyone has heard of George Balanchine. Few outside Russia know of Leonid Yakobson, Balanchine's contemporary, who remained in Lenin's Russia and survived censorship during the darkest days of Stalin.

Like a Bomb Going Off: Leonid Yakobson and Ballet as Resistance in Soviet Russia
Like Shostakovich, Yakobson suffered for his art and yet managed to create a singular body of revolutionary dances that spoke to the Soviet condition. His work was often considered so culturally explosive that it was described as "like a bomb going off."

Based on untapped archival collections of photographs, films, and writings about Yakobson's work in Moscow and St. Petersburg for the Bolshoi and Kirov ballets, as well as interviews with former dancers, family, and audience members, this illuminating and beautifully written biography brings to life a hidden history of artistic resistance in the USSR through this brave artist, who struggled against officially sanctioned anti-Semitism while offering a vista of hope.
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