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British Women Composers and Instrumental Chamber Music in the Early Twentieth Century

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Laura Seddon, "British Women Composers and Instrumental Chamber Music in the Early Twentieth Century"
2013 | ISBN-10: 1409439453 | 229 pages | PDF | 4 MB

British Women Composers and Instrumental Chamber Music in the Early Twentieth Century
This is the first full-length study of British women's instrumental chamber music in the early twentieth century. Laura Seddon argues that the Cobbett competitions, instigated by Walter Willson Cobbett in 1905, and the formation of the Society of Women Musicians in 1911 contributed to the explosion of instrumental music written by women in this period and highlighted women's place in British musical society in the years leading up to and during the First World War. Seddon investigates the relationship between Cobbett, the Society of Women Musicians and women composers themselves. The book's six case studies – of Adela Maddison (1866-1929), Ethel Smyth (1858-1944), Morfydd Owen (1891-1918), Ethel Barns (1880-1948), Alice Verne-Bredt (1868-1958) and Susan Spain-Dunk (1880-1962) – offer valuable insight into the women's musical education and compositional careers. Seddon's discussion of their chamber works for differing instrumental combinations includes an exploration of formal procedures, an issue much discussed by contemporary sources. The individual composers' reactions to the debate instigated by the Society of Women Musicians, on the future of women's music, is considered in relation to their lives, careers and the chamber music itself. As the composers in this study were not a cohesive group, creatively or ideologically, the book draws on primary sources, as well as the writings of contemporary commentators, to assess the legacy of the chamber works produced.
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Tennessee Log Buildings: A Folk Tradition

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Tennessee Log Buildings: A Folk Tradition by John B. Rehder
English | | ISBN: 1572338741 | 192 pages | PDF | 7,4 MB

Tennessee Log Buildings: A Folk Tradition
Drawing on more than four decades of research, Tennessee Log Buildings examines one of the Volunteer State’s most precious—and fast-disappearing—traditions. From the pioneer era through the mid–twentieth century, folk builders in Tennessee used logs to construct cabins, barns, other outbuildings, schools, and churches. In warm, accessible prose that often makes this deeply researched work read like guidebook, John Rehder explores the varied styles and architectural characteristics of these fascinating structures, including their floor plans, the types of timber used, and the different notches that were cut into the logs to secure the structures.
Profusely illustrated with over one hundred images, Tennessee Log Houses traces the evolution of log houses from one-room (or single-pen) dwellings to more elaborate homes of various types, such as saddlebags, Cumberland houses, dogtrots, and two-story I-houses. Rehder discusses the historic settlement patterns and building traditions that led to this variety of house types and identifies their particular occurrences throughout the state by drawing on surveys conducted in forty-two counties by teams working for the Tennessee Historical Commission (THC). Similarly, he explores disparate barn and outbuilding types, including the distinctive cantilever barns that are found predominantly in East Tennessee. Sprinkled throughout the book are engaging anecdotes that convey just what it is like to conduct field research in remote rural areas. Rehder also describes in detail a number of the state’s exceptional log places, among them Wynnewood, an enormous structure in Middle Tennessee which dates back to the early nineteenth century and which suffered severe tornado damage in 2008.
As the author notes, many of the buildings originally identified in the THC investigations have now vanished completely while others are in serious disrepair. Thus, this book not only offers an instructive and delightful look at a key part of Tennessee’s heritage but also makes an eloquent plea for its preservation.

Until his death in 2011, JOHN B. REHDER was a professor of geography at the University of Tennessee, Knoxville. He first joined the UT faculty in 1967. He was the author of Appalachian Folkways, which won the Pioneer America Society’s Fred B. Kniffen Book Award in 2004, and Delta Sugar: Louisiana’s Vanishing Plantation Landscape, which won the Vernacular Architecture Forum’s 2000 Abbott Lowell Cummings Award.
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DIY Solar Projects: How to Put the Sun to Work in Your Home

DIY Solar Projects: How to Put the Sun to Work in Your Home by Eric Smith
2011 | ISBN: 1589236033 | English | 160 Pages | PDF | 86 MB
Advances in solar technology have made many DIY-friendly products available to consumers, several of which will be hitting the market for the first time in 2011. These include solar water heaters, solar battery charging stations, solar powered lights, photovoltaic shingles that provide supplementary electricity, solar heat pumps, and solar panel kits that generate primary home electrical service. Among the step-by-step projects is a solar water heating system you can build and install yourself for under $1000; simple thermosyphon solar heat collectors for barns and outbuildings; or "heat grabbers" that you can fabricate for $50 in materials and position below a south-facing window to provide auxiliary winter heat.

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