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Educational Philosophy in the French Enlightenment

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Natasha Gill, "Educational Philosophy in the French Enlightenment"
English | 2010 | ISBN-10: 0754662896 | 304 pages | PDF | 4 MB

Educational Philosophy in the French Enlightenment
Though Emile is still considered the central pedagogical text of the French Enlightenment, a myriad of lesser-known thinkers paved the way for Rousseau's masterpiece. Natasha Gill traces the arc of these thinkers as they sought to reveal the correlation between early childhood experiences and the success or failure of social and political relations, and set the terms for the modern debate about the influence of nature and nurture in individual growth and collective life. Gill offers a comprehensive analysis of the rich cross-fertilization between educational and philosophical thought in the French Enlightenment. She begins by showing how in Some Thoughts Concerning Education John Locke set the stage for the French debate by transposing key themes from his philosophy into an educational context. Her treatment of the abbe Claude Fleury, the rector of the University of Paris Charles Rollin, and Swiss educator Jean-Pierre de Crousaz illustrates the extent to which early Enlightenment theorists reevaluated childhood and learning methods on the basis of sensationist psychology. Etienne-Gabriel Morelly, usually studied as a marginal thinker in the history of utopian thought, is here revealed as the most important precursor to Rousseau, and the first theorist to claim education as the vehicle through which individual liberation, social harmony and political unity could be achieved. Gill concludes with an analysis of the educational-philosophical dispute between Helvetius and Rousseau, and traces the influence of pedagogical theory on the political debate surrounding the expulsion of the Jesuits in 1762.

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Three Critics of the Enlightenment: Vico, Hamann, Herder

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Three Critics of the Enlightenment: Vico, Hamann, Herder by Isaiah Berlin
English | 2013 | ISBN: 0691157650 | 576 pages | PDF | 6,8 MB

Three Critics of the Enlightenment: Vico, Hamann, Herder
Isaiah Berlin was deeply admired during his life, but his full contribution was perhaps underestimated because of his preference for the long essay form. The efforts of Henry Hardy to edit Berlin's work and reintroduce it to a broad, eager readership have gone far to remedy this. Now, Princeton is pleased to return to print, under one cover, Berlin's essays on these celebrated and captivating intellectual portraits: Vico, Hamann, and Herder. These essays on three relatively uncelebrated thinkers are not marginal ruminations, but rather among Berlin's most important studies in the history of ideas. They are integral to his central project: the critical recovery of the ideas of the Counter-Enlightenment and the explanation of its appeal and consequences–both positive and (often) tragic.

Giambattista Vico was the anachronistic and impoverished Neapolitan philosopher sometimes credited with founding the human sciences. He opposed Enlightenment methods as cold and fallacious. J. G. Hamann was a pious, cranky dilettante in a peripheral German city. But he was brilliant enough to gain the audience of Kant, Goethe, and Moses Mendelssohn. In Hamann's chaotic and long-ignored writings, Berlin finds the first strong attack on Enlightenment rationalism and a wholly original source of the coming swell of romanticism. Johann Gottfried Herder, the progenitor of populism and European nationalism, rejected universalism and rationalism but championed cultural pluralism.

Individually, these fascinating intellectual biographies reveal Berlin's own great intelligence, learning, and generosity, as well as the passionate genius of his subjects. Together, they constitute an arresting interpretation of romanticism's precursors. In Hamann's railings and the more considered writings of Vico and Herder, Berlin finds critics of the Enlightenment worthy of our careful attention. But he identifies much that is misguided in their rejection of universal values, rationalism, and science. With his customary emphasis on the frightening power of ideas, Berlin traces much of the next centuries' irrationalism and suffering to the historicism and particularism they advocated. What Berlin has to say about these long-dead thinkers–in appreciation and dissent–is remarkably timely in a day when Enlightenment beliefs are being challenged not just by academics but by politicians and by powerful nationalist and fundamentalist movements.

The study of J. G. Hamann was originally published under the title The Magus of the North: J. G. Hamann and the Origins of Modern Irrationalism. The essays on Vico and Herder were originally published as Vico and Herder: Two Studies in the History of Ideas. Both are out of print.
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A Companion to Medieval Art: Romanesque and Gothic in Northern Europe

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A Companion to Medieval Art: Romanesque and Gothic in Northern Europe by Conrad Rudolph
English | 2006 | ISBN: 1405102861 | 704 pages | EPUB | 25,5 MB

A Companion to Medieval Art: Romanesque and Gothic in Northern Europe
A Companion to Medieval Art brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe.
Brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe.
Contains over 30 original theoretical, historical, and historiographic essays by renowned and emergent scholars.
Covers the vibrancy of medieval art from both thematic and sub-disciplinary perspectives.
Features an international and ambitious range – from reception, Gregory the Great, collecting, and pilgrimage art, to gender, patronage, the marginal, spolia, and manuscript illumination.
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Linear Mixed Models for Longitudinal Data (Springer Series in Statistics) by Geert Molenberghs

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Linear Mixed Models for Longitudinal Data (Springer Series in Statistics) by Geert Molenberghs
English | June 16, 2000 | ISBN: 0387950273 | 579 Pages | PDF | 39 MB
This book provides a comprehensive treatment of linear mixed models for continuous longitudinal data. Next to model formulation, this edition puts major emphasis on exploratory data analysis for all aspects of the model, such as the marginal model, subject-specific profiles, and residual covariance structure.

Linear Mixed Models for Longitudinal Data (Springer Series in Statistics) by Geert Molenberghs
Further, model diagnostics and missing data receive extensive treatment. Sensitivity analysis for incomplete data is given a prominent place.
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The Legacy of Cornelius Cardew

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The Legacy of Cornelius Cardew by Tony Harris
2013 | ISBN: 140944810X | English | 217 pages | PDF | 6 MB

The Legacy of Cornelius Cardew
Cornelius Cardew is an enigma. Depending on which sources one consults he is either an influential and iconic figure of British musical culture or a marginal curiosity, a footnote to a misguided musical phenomenon. He is both praised for his uncompromising commitment to world-changing politics, and mocked for being blindly caught up in a maelstrom of naive political folly. His works are both widely lauded as landmark achievements of the British avant-garde and ridiculed as an archaic and irrelevant footnote to the established musical culture. Even the events of his death are shrouded in mystery and lack a sense of closure. As long ago as 1967, Morton Feldman cited Cardew as an influential figure, central to the future of modern music-making. The extent to which Cardew has been a central figure and a force for new ideas in music forms the backbone to this book. Harris demonstrates that Cardew was an original thinker, a charismatic leader, an able facilitator, and a committed activist. He argues that Cardew exerted considerable influence on numerous individuals and groups, but also demonstrates how the composer's significance has been variously underestimated, undermined and misrepresented. Cardew's diverse body of work and activity is here given coherence by their sharing in the values and principles that underpinned the composer's world view. The apparently disparate and contradictory episodes of Cardew's career are shown to be fused by a cohesive 'Cardew aesthetic' that permeates the man, his politics and his music.
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Controversies Within the Scientific Revolution

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Controversies Within the Scientific Revolution by Marcelo Dascal and Victor D. Boantza
English | 2011 | ISBN: 9027218951 | 295 pages | PDF | 7 MB

Controversies Within the Scientific Revolution
From the beginning of the Scientific Revolution around the late sixteenth century to its final crystallization in the early eighteenth century, hardly an observational result, an experimental technique, a theory, a mathematical proof, a methodological principle, or the award of recognition and reputation remained unquestioned for long. The essays collected in this book examine the rich texture of debates that comprised the Scientific Revolution from which the modern conception of science emerged. Were controversies marginal episodes, restricted to certain fields, or were they the rule in the majority of scientific domains? To what extent did scientific controversies share a typical pattern, which distinguished them from debates in other fields? Answers to these historical and philosophical questions are sought through a close attention to specific controversies within and across the changing scientific disciplines as well as across the borders of the natural and the human sciences, philosophy, theology, and technology.
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Controversies Within the Scientific Revolution

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Controversies Within the Scientific Revolution by Marcelo Dascal and Victor D. Boantza
English | 2011 | ISBN: 9027218951 | 295 pages | PDF | 7 MB

Controversies Within the Scientific Revolution
From the beginning of the Scientific Revolution around the late sixteenth century to its final crystallization in the early eighteenth century, hardly an observational result, an experimental technique, a theory, a mathematical proof, a methodological principle, or the award of recognition and reputation remained unquestioned for long. The essays collected in this book examine the rich texture of debates that comprised the Scientific Revolution from which the modern conception of science emerged. Were controversies marginal episodes, restricted to certain fields, or were they the rule in the majority of scientific domains? To what extent did scientific controversies share a typical pattern, which distinguished them from debates in other fields? Answers to these historical and philosophical questions are sought through a close attention to specific controversies within and across the changing scientific disciplines as well as across the borders of the natural and the human sciences, philosophy, theology, and technology.
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Experimentalism Otherwise: The New York Avant-Garde and Its Limits

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Experimentalism Otherwise: The New York Avant-Garde and Its Limits by Benjamin Piekut
English | 2011 | ISBN: 0520268504, 0520268512 | 296 pages | PDF | 4 MB

Experimentalism Otherwise: The New York Avant-Garde and Its Limits
In Experimental Otherwise, Benjamin Piekut takes the reader into the heart of what we mean by "experimental" in avant-garde music. Focusing on one place and time-New York City, 1964-Piekut examines five disparate events: the New York Philharmonic's disastrous performance of John Cage's Atlas Eclipticalis; Henry Flynt's demonstrations against the downtown avant-garde; Charlotte Moorman's Avant Garde Festival; the founding of the Jazz Composers Guild; and the emergence of Iggy Pop. Drawing together a colorful array of personalities, Piekut argues that each of these examples points to a failure and marks a limit or boundary of canonical experimentalism. What emerges from these marginal moments is an accurate picture of the avant-garde, not as a style or genre, but as a network defined by disagreements, struggles, and exclusions.
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Experimentalism Otherwise: The New York Avant-Garde and Its Limits

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Experimentalism Otherwise: The New York Avant-Garde and Its Limits by Benjamin Piekut
English | 2011 | ISBN: 0520268504, 0520268512 | 296 pages | PDF | 4 MB

Experimentalism Otherwise: The New York Avant-Garde and Its Limits
In Experimental Otherwise, Benjamin Piekut takes the reader into the heart of what we mean by "experimental" in avant-garde music. Focusing on one place and time-New York City, 1964-Piekut examines five disparate events: the New York Philharmonic's disastrous performance of John Cage's Atlas Eclipticalis; Henry Flynt's demonstrations against the downtown avant-garde; Charlotte Moorman's Avant Garde Festival; the founding of the Jazz Composers Guild; and the emergence of Iggy Pop. Drawing together a colorful array of personalities, Piekut argues that each of these examples points to a failure and marks a limit or boundary of canonical experimentalism. What emerges from these marginal moments is an accurate picture of the avant-garde, not as a style or genre, but as a network defined by disagreements, struggles, and exclusions.
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