Tag Archives: repertoire.

Active Metals: Preparation*Characterization*Applications by Alois Frstner

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Active Metals: Preparation*Characterization*Applications by Alois Fürstner
English | Nov 1995 | ISBN: 3527292071 | 480 Pages | PDF | 35 MB
Reactions with metals are ubiquitous in organic synthesis and, particularly in the last few years, a large repertoire of methods for the activation of metals and for their use in organic synthesis has been developed.

Active Metals: Preparation*Characterization*Applications by Alois Frstner
In Active Metals, topics ranging from morphology of metal clusters and nanometallurgy to organometallic chemistry, catalysis and the use of activated metals in natural product synthesis are authoritatively discussed by leading experts in the field.

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Absolute OpenBSD: Unix for the Practical Paranoid

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Absolute OpenBSD: Unix for the Practical Paranoid by Michael W. Lucas
English | June 2003 | ISBN: 1886411999 | 528 Pages | CHM | 1 MB
This straightforward, practical, and complete guide to mastering the powerful and complex OpenBSD operating system, is for the experienced UNIX user who wants to add OpenBSD to his or her repertoire.

Absolute OpenBSD: Unix for the Practical Paranoid
The author assumes a knowledge of basic UNIX commands, design, and permissions. The book takes you through the intricacies of the platform and teaches how to manage your system, offering friendly explanations, background information, troubleshooting suggestions, and copious examples throughout.
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Engineering the Genetic Code: Expanding the Amino Acid Repertoire for the Design of Novel Proteins

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Engineering the Genetic Code: Expanding the Amino Acid Repertoire for the Design of Novel Proteins By Nediljko Budisa
2005 | 312 Pages | ISBN: 3527312439 | PDF | 4 MB

Engineering the Genetic Code: Expanding the Amino Acid Repertoire for the Design of Novel Proteins
The ability to introduce non-canonical amino acids in vivo has greatly expanded the repertoire of accessible proteins for basic research and biotechnological application. Here, the different methods and strategies to incorporate new or modified amino acids are explained in detail, including a lot of practical advice for first-time users of this powerful technique. Novel applications in protein biochemistry, genomics, biotechnology and biomedicine made possible by the expansion of the genetic code are discussed and numerous examples are given. Essential reading for all molecular life scientists who want to stay ahead in their research.
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Barycentric Calculus in Euclidean and Hyperbolic Geometry: A Comparative Introduction

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Ungar Abraham Albert, "Barycentric Calculus in Euclidean and Hyperbolic Geometry: A Comparative Introduction"
2010 | ISBN-10: 981430493X | 360 pages | PDF | 3 MB

Barycentric Calculus in Euclidean and Hyperbolic Geometry: A Comparative Introduction
The word barycentric is derived from the Greek word barys (heavy), and refers to center of gravity. Barycentric calculus is a method of treating geometry by considering a point as the center of gravity of certain other points to which weights are ascribed. Hence, in particular, barycentric calculus provides excellent insight into triangle centers. This unique book on barycentric calculus in Euclidean and hyperbolic geometry provides an introduction to the fascinating and beautiful subject of novel triangle centers in hyperbolic geometry along with analogies they share with familiar triangle centers in Euclidean geometry. As such, the book uncovers magnificent unifying notions that Euclidean and hyperbolic triangle centers share.

In his earlier books the author adopted Cartesian coordinates, trigonometry and vector algebra for use in hyperbolic geometry that is fully analogous to the common use of Cartesian coordinates, trigonometry and vector algebra in Euclidean geometry. As a result, powerful tools that are commonly available in Euclidean geometry became available in hyperbolic geometry as well, enabling one to explore hyperbolic geometry in novel ways. In particular, this new book establishes hyperbolic barycentric coordinates that are used to determine various hyperbolic triangle centers just as Euclidean barycentric coordinates are commonly used to determine various Euclidean triangle centers.

The hunt for Euclidean triangle centers is an old tradition in Euclidean geometry, resulting in a repertoire of more than three thousand triangle centers that are known by their barycentric coordinate representations. The aim of this book is to initiate a fully analogous hunt for hyperbolic triangle centers that will broaden the repertoire of hyperbolic triangle centers provided here.
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The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening, 3 edition

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The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening, 3 edition by Steven G. Laitz
English | 2011 | ISBN: 0199742782 | ISBN-13: 9780199742783 | 896 pages | PDF | 47,4 MB
Beginning with music fundamentals, this text covers all the topics necessary for a thorough understanding of undergraduate music theory by focusing on music in context. The text links each of the tasks that comprise a tonal theory curriculum, explicitly connecting written theory (writing and analysis), skills (singing, playing, and dictation), and music-making outside the theory class.

The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening, 3 edition
DISTINCTIVE FEATURES
* Presents an outstanding quality, quantity, and diversity of exercises geared toward real music and real music situations
* Explores not only standard four-voice harmony, but also other musical domains including melody, counterpoint, and a multitude of textures; the result is a text with applicability and relevance to all musicians
* Includes almost 4,500 musical examples from the common-practice repertoire in the text and workbooks, more than 90 percent of which are on the CDs included with the text and workbooks–nearly twenty hours of music on MP3 files (all music is performed, recorded, and engineered at Eastman)
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Dance Imagery for Technique and Performance, 2nd Edition

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Dance Imagery for Technique and Performance, 2nd Edition by Eric Franklin
English | 2013 | ISBN: 0736067884 | 392 pages | PDF | 44 MB
Renowned master teacher Eric Franklin has thoroughly updated his classic text, Dance Imagery for Technique and Performance, providing dancers and dance educators with a deep understanding of how they can use imagery to improve their dancing and artistic expression in class and in performance.

Dance Imagery for Technique and Performance, 2nd Edition
These features are new to this edition:

*Two chapters include background, history, theory, and uses of imagery.

*294 exercises offer dancers and dance educators greater opportunities to experience how imagery can enhance technique and performance.

*133 illustrations facilitate the use of imagery to improve technique, artistic expression, and performance.

*Four exercises taught by Franklin and available on HK's website help dancers with essential rest and relaxation techniques.

Franklin provides hundreds of imagery exercises to refine improvisation, technique, and choreography. The 295 illustrations cover the major topics in the book, showing exercises to use in technique, artistic expression, and performance. In addition, Franklin supplies imagery exercises that can restore and regenerate the body through massage, touch, and stretching. And he offers guidance in using imagery to convey information about a dancer's steps and to clarify the intent and content of movement.

This new edition of Dance Imagery for Technique and Performance can be used with Franklin's Dynamic Alignment Through Imagery, Second Edition, or on its own. Either way, readers will learn how to combine technical expertise with imagery skills to enrich their performance, and they will discover methods they can use to explore how imagery connects with dance improvisation and technique.

Dance Imagery for Technique and Performance uses improvisation exercises to help readers investigate new inner landscapes to create and communicate various movement qualities, provides guidelines for applying imagery in the dance class, and helps dancers expand their repertoire of expressiveness in technique and performance across ballet, modern, and contemporary dance.

This expanded edition of Dance Imagery for Technique and Performance supplies imagery tools for enhancing or preparing for performance, and it introduces the importance of imagery in dancing and teaching dance. Franklin's method of using imagery in dance is displayed throughout this lavishly illustrated book, and the research from scientific and dance literature that supports Franklin's method is detailed.

The text, exercises, and illustrations make this book a practical resource for dancers and dance educators alike.
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Adult All-in-One Course: Lesson, Theory, Technique Level 1

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Adult All-in-One Course: Lesson, Theory, Technique Level 1 By Willard A Palmer
1995 | 143 Pages | ISBN: 0882848186 , 088284931X | PDF | 9 MB

Adult All-in-One Course: Lesson, Theory, Technique Level 1
Alfred's Basic Adult All-in-One Course is designed for use with a piano instructor for the beginning student looking for a truly complete piano course. It is a greatly expanded version of Alfred's Basic Adult Piano Course that will include lesson, theory, technic and additional repertoire in a convenient, "all-in-one" format. This comprehensive course adds such features as isometric hand exercises, finger strengthening drills, and written assignments that reinforce each lesson's concepts. There is a smooth, logical progression between each lesson, a thorough explanation of chord theory and playing styles, and outstanding extra songs, including folk, classical, and contemporary selections. At the completion of this course, the student will have learned to play some of the most popular music ever written and will have gained a good understanding of basic musical concepts and styles.
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The Christopher Parkening Guitar Method – Volume 2: Guitar Technique by Christopher Parkening

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The Christopher Parkening Guitar Method – Volume 2: Guitar Technique by Christopher Parkening
English | Jan 1, 1998 | ISBN: 079358521X | 136 Pages | PDF | 58,3 MB

The Christopher Parkening Guitar Method – Volume 2: Guitar Technique by Christopher Parkening
(Guitar Method). An outstanding source for the technique and repertoire of the classical guitar, this book continues where Vol. 1 leaves off. It teaches: all notes in the upper position; tone production; advanced techniques such as tremolo, harmonics, vibrato, pizzicato and slurs; practice tips; stylistic interpretation; and more. The first half of the book deals primarily with technique, while the second half of the book applies the technique with repertoire pieces. As a special bonus, this book includes 32 previously unpublished Parkening edition pieces by composers including Dowland, Bach, Scarlatti, Sor, Tarrega and others, plus three guitar duets

I've been slowly working my way through this volume while concurrently taking CG lessons from a local professional guitarist. I don't know how anyone can really learn proper technique through a book without expert guidance. However, as an adjunct this text provides a charming and playable selection of intermediate level pieces, some helpful advice and encouragement.

Many jewels are scattered throughout the first part of the text which presents technique. Carol of the Bells, Sakura, Scarborough Faire, Bianco Fiore, name just a few. The Repertory constitutes the second half of the text and spans the Renaissance (Dowland, Milan, Johnson ), Baroque (Bach, Sanz, D. Scarlatti ), Classical (Carcassi, Sor, Mozart ) and Romantic (Taregga ) eras.

I've always wanted to play Dowland's "My Lady Hunsdon's Puffe (Almand)". Parkening's version complete with hammer-ons and pull-offs has given me hope that I might one day play this at tempo.

"The aim and final end of all music should be none other that the glory of God and the refreshment of the soul."
J.S. Bach

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The Christopher Parkening Guitar Method – Volume 2: Guitar Technique by Christopher Parkening

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The Christopher Parkening Guitar Method – Volume 2: Guitar Technique by Christopher Parkening
English | Jan 1, 1998 | ISBN: 079358521X | 136 Pages | PDF | 58,3 MB

The Christopher Parkening Guitar Method – Volume 2: Guitar Technique by Christopher Parkening
(Guitar Method). An outstanding source for the technique and repertoire of the classical guitar, this book continues where Vol. 1 leaves off. It teaches: all notes in the upper position; tone production; advanced techniques such as tremolo, harmonics, vibrato, pizzicato and slurs; practice tips; stylistic interpretation; and more. The first half of the book deals primarily with technique, while the second half of the book applies the technique with repertoire pieces. As a special bonus, this book includes 32 previously unpublished Parkening edition pieces by composers including Dowland, Bach, Scarlatti, Sor, Tarrega and others, plus three guitar duets

I've been slowly working my way through this volume while concurrently taking CG lessons from a local professional guitarist. I don't know how anyone can really learn proper technique through a book without expert guidance. However, as an adjunct this text provides a charming and playable selection of intermediate level pieces, some helpful advice and encouragement.

Many jewels are scattered throughout the first part of the text which presents technique. Carol of the Bells, Sakura, Scarborough Faire, Bianco Fiore, name just a few. The Repertory constitutes the second half of the text and spans the Renaissance (Dowland, Milan, Johnson ), Baroque (Bach, Sanz, D. Scarlatti ), Classical (Carcassi, Sor, Mozart ) and Romantic (Taregga ) eras.

I've always wanted to play Dowland's "My Lady Hunsdon's Puffe (Almand)". Parkening's version complete with hammer-ons and pull-offs has given me hope that I might one day play this at tempo.

"The aim and final end of all music should be none other that the glory of God and the refreshment of the soul."
J.S. Bach

Links are Interchangeable – No Password

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