Tag Archives: storyteller.

Elizabeth Mathias, Richard Raspa, “Italian Folktales in America: The Verbal Art of an Immigrant Woman”

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Elizabeth Mathias, Richard Raspa, "Italian Folktales in America: The Verbal Art of an Immigrant Woman"
Publisher: Wayne State Univ Pr | 1988 | ISBN: 0814321224 | English | PDF | 348 pages | 27.2 Mb
In 1941, while studying folklore at Wayne University with Professor Emelyn Gardner, Bruna Todesco collected from her mother, Clementina, the twenty-two märchen and legends presented in this book. Bruna, her mother, and her father, John, immigrated to America in 1930 from their native village of Faller in the Veneto region of northern Italy

Elizabeth Mathias, Richard Raspa, “Italian Folktales in America: The Verbal Art of an Immigrant Woman”
Not just made up of the recorded texts, this book is also built on the reminiscences of that storyteller and some of her old neighbors in her birthplace, and is a record by two resourceful fieldworkers of what it takes to study memory culture. The result is a work that greatly enriches our understanding of who told (and tells) märchen to whom, why and how they are told, and, perhaps most important, under what conditions.

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Directing: Film Techniques and Aesthetics

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Directing: Film Techniques and Aesthetics by Michael Rabiger, Mick Hurbis-Cherrier
2013 | ISBN: 0240818458 | English | 560 pages | PDF | 12 MB

Directing: Film Techniques and Aesthetics
This comprehensive manual has inspired tens of thousands of readers worldwide to realize their artistic vision and produce well-constructed films. Filled with practical advice on every stage of production, this is the book you will return to throughout your career.

Directing covers the methods, technologies, thought processes, and judgments that a director must use throughout the fascinating process of making a film. The core of the book is the human, psychological, and technical knowledge that every director needs, the enduring elements of the craft that remain vital.

Directing also provides an unusually clear view of the artistic process, particularly in working with actors and principle crew to achieve personally expressive storytelling and professionalism on any budget.

Directing explores in detailed and applicable terms how to engage with the conceptual and authorial sides of filmmaking. Its eminently practical tools and exercises show how to: discover your artistic identity; develop credible and compelling stories with your cast and crew; and become a storyteller with a distinctive voice and style.

The companion website includes teaching notes, dozens of practical hands-on projects and film study activities to help you master technical and conceptual skills, film analysis questionnaires, and all the essential production forms and logs.

New to the fifth edition

* Virtually every chapter has been revised, updated, and re-organized for a streamlined and integrated approach.
* Expanded sections on the basics of drama, including thorough analyses of recent films
* Discussions of the director’s approach to script analysis and development
* New discussion exploring the elements of naturalistic and stylistic aesthetic approaches.
* New discussion on the narrative power of lighting and the lens – including many recent film examples for shot size, perspective, focus and exposure
* Greater emphasis on the implications of composition, mise-en-scene, continuity shooting and editing, long take shooting, point-of-view sequences, and camera handling
* Expanded discussion of collaboration between the director and principle creative crew
* Updated coverage of workflow and comparative advantages to digital or film acquisition
* New section on film production safety, set protocol and etiquette
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Directing: Film Techniques and Aesthetics

FREEDownload : Directing: Film Techniques and Aesthetics

Directing: Film Techniques and Aesthetics by Michael Rabiger, Mick Hurbis-Cherrier
2013 | ISBN: 0240818458 | English | 560 pages | PDF | 12 MB

Directing: Film Techniques and Aesthetics
This comprehensive manual has inspired tens of thousands of readers worldwide to realize their artistic vision and produce well-constructed films. Filled with practical advice on every stage of production, this is the book you will return to throughout your career.

Directing covers the methods, technologies, thought processes, and judgments that a director must use throughout the fascinating process of making a film. The core of the book is the human, psychological, and technical knowledge that every director needs, the enduring elements of the craft that remain vital.

Directing also provides an unusually clear view of the artistic process, particularly in working with actors and principle crew to achieve personally expressive storytelling and professionalism on any budget.

Directing explores in detailed and applicable terms how to engage with the conceptual and authorial sides of filmmaking. Its eminently practical tools and exercises show how to: discover your artistic identity; develop credible and compelling stories with your cast and crew; and become a storyteller with a distinctive voice and style.

The companion website includes teaching notes, dozens of practical hands-on projects and film study activities to help you master technical and conceptual skills, film analysis questionnaires, and all the essential production forms and logs.

New to the fifth edition

* Virtually every chapter has been revised, updated, and re-organized for a streamlined and integrated approach.
* Expanded sections on the basics of drama, including thorough analyses of recent films
* Discussions of the director’s approach to script analysis and development
* New discussion exploring the elements of naturalistic and stylistic aesthetic approaches.
* New discussion on the narrative power of lighting and the lens – including many recent film examples for shot size, perspective, focus and exposure
* Greater emphasis on the implications of composition, mise-en-scene, continuity shooting and editing, long take shooting, point-of-view sequences, and camera handling
* Expanded discussion of collaboration between the director and principle creative crew
* Updated coverage of workflow and comparative advantages to digital or film acquisition
* New section on film production safety, set protocol and etiquette
Download link:
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Directing: Film Techniques and Aesthetics (5th Edition)

FREEDownload : Directing: Film Techniques and Aesthetics (5th Edition)

Directing: Film Techniques and Aesthetics by Michael Rabiger, Mick Hurbis-Cherrier
2013 | ISBN: 0240818458 | English | 560 pages | PDF | 12 MB
This comprehensive manual has inspired tens of thousands of readers worldwide to realize their artistic vision and produce well-constructed films. Filled with practical advice on every stage of production, this is the book you will return to throughout your career.
Directing covers the methods, technologies, thought processes, and judgments that a director must use throughout the fascinating process of making a film. The core of the book is the human, psychological, and technical knowledge that every director needs, the enduring elements of the craft that remain vital.

Directing: Film Techniques and Aesthetics (5th Edition)
Directing also provides an unusually clear view of the artistic process, particularly in working with actors and principle crew to achieve personally expressive storytelling and professionalism on any budget.

Directing explores in detailed and applicable terms how to engage with the conceptual and authorial sides of filmmaking. Its eminently practical tools and exercises show how to: discover your artistic identity; develop credible and compelling stories with your cast and crew; and become a storyteller with a distinctive voice and style.

The companion website includes teaching notes, dozens of practical hands-on projects and film study activities to help you master technical and conceptual skills, film analysis questionnaires, and all the essential production forms and logs.

New to the fifth edition

* Virtually every chapter has been revised, updated, and re-organized for a streamlined and integrated approach.
* Expanded sections on the basics of drama, including thorough analyses of recent films
* Discussions of the director’s approach to script analysis and development
* New discussion exploring the elements of naturalistic and stylistic aesthetic approaches.
* New discussion on the narrative power of lighting and the lens – including many recent film examples for shot size, perspective, focus and exposure
* Greater emphasis on the implications of composition, mise-en-scene, continuity shooting and editing, long take shooting, point-of-view sequences, and camera handling
* Expanded discussion of collaboration between the director and principle creative crew
* Updated coverage of workflow and comparative advantages to digital or film acquisition
* New section on film production safety, set protocol and etiquette

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Directing: Film Techniques and Aesthetics (5th Edition)

FREEDownload : Directing: Film Techniques and Aesthetics (5th Edition)

Directing: Film Techniques and Aesthetics by Michael Rabiger, Mick Hurbis-Cherrier
2013 | ISBN: 0240818458 | English | 560 pages | PDF | 12 MB
This comprehensive manual has inspired tens of thousands of readers worldwide to realize their artistic vision and produce well-constructed films. Filled with practical advice on every stage of production, this is the book you will return to throughout your career.
Directing covers the methods, technologies, thought processes, and judgments that a director must use throughout the fascinating process of making a film. The core of the book is the human, psychological, and technical knowledge that every director needs, the enduring elements of the craft that remain vital.

Directing: Film Techniques and Aesthetics (5th Edition)
Directing also provides an unusually clear view of the artistic process, particularly in working with actors and principle crew to achieve personally expressive storytelling and professionalism on any budget.

Directing explores in detailed and applicable terms how to engage with the conceptual and authorial sides of filmmaking. Its eminently practical tools and exercises show how to: discover your artistic identity; develop credible and compelling stories with your cast and crew; and become a storyteller with a distinctive voice and style.

The companion website includes teaching notes, dozens of practical hands-on projects and film study activities to help you master technical and conceptual skills, film analysis questionnaires, and all the essential production forms and logs.

New to the fifth edition

* Virtually every chapter has been revised, updated, and re-organized for a streamlined and integrated approach.
* Expanded sections on the basics of drama, including thorough analyses of recent films
* Discussions of the director’s approach to script analysis and development
* New discussion exploring the elements of naturalistic and stylistic aesthetic approaches.
* New discussion on the narrative power of lighting and the lens – including many recent film examples for shot size, perspective, focus and exposure
* Greater emphasis on the implications of composition, mise-en-scene, continuity shooting and editing, long take shooting, point-of-view sequences, and camera handling
* Expanded discussion of collaboration between the director and principle creative crew
* Updated coverage of workflow and comparative advantages to digital or film acquisition
* New section on film production safety, set protocol and etiquette

Download Links:
Uploadable

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Revolutionary Russia, 1891-1991: A Pelican Introduction

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Orlando Figes, "Revolutionary Russia, 1891-1991: A Pelican Introduction"
English | ISBN: 0141043679, 0805091319 | 2014 | 496 pages | EPUB | 1 MB

Revolutionary Russia, 1891-1991: A Pelican Introduction
What caused the Russian Revolution?

Did it succeed or fail?

Do we still live with its consequences?

Orlando Figes teaches history at Birkbeck, University of London and is the author of many acclaimed books on Russian history, including A People's Tragedy, which The Times Literary Supplement named as one of the '100 most influential books since the war', Natasha's Dance, The Whisperers, Crimea and Just Send Me Word. The Financial Times called him 'the greatest storyteller of modern Russian historians.'
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Remote: Office Not Required

Jason Fried, David Heinemeier Hansson, "Remote: Office Not Required"
ISBN: 0804137501 | 2013 | EPUB/MOBI | 256 pages | 7 MB/6 MB
The “work from home” phenomenon is thoroughly explored in this illuminating new book from bestselling 37signals founders Fried and Hansson, who point to the surging trend of employees working from home (and anywhere else) and explain the challenges and unexpected benefits. Most important, they show why – with a few controversial exceptions such as Yahoo — more businesses will want to promote this new model of getting things done.

The Industrial Revolution's "under one roof" model of conducting work is steadily declining owing to technology that is rapidly creating virtual workspaces and allowing workers to provide their vital contribution without physically clustering together. Today, the new paradigm is "move work to the workers, rather than workers to the workplace." According to Reuters, one in five global workers telecommutes frequently and nearly ten percent work from home every day. Moms in particular will welcome this trend. A full 60% wish they had a flexible work option. But companies see advantages too in the way remote work increases their talent pool, reduces turnover, lessens their real estate footprint, and improves the ability to conduct business across multiple time zones, to name just a few advantages. In Remote, inconoclastic authors Fried and Hansson will convince readers that letting all or part of work teams function remotely is a great idea–and they're going to show precisely how a remote work setup can be accomplished.

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