Tag Archives: subverted

Bound for Canaan: The Epic Story of the Underground Railroad, America’s First Civil Rights Movement

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Fergus M. Bordewich "Bound for Canaan: The Epic Story of the Underground Railroad, America's First Civil Rights Movement"
Amistad | 2006-02-01 | ISBN: 0060524316 | 576 pages | PDF | 3 MB

Bound for Canaan: The Epic Story of the Underground Railroad, America’s First Civil Rights Movement
An important book of epic scope on America's first racially integrated, religiously inspired movement for change

The civil war brought to a climax the country's bitter division. But the beginnings of slavery's denouement can be traced to a courageous band of ordinary Americans, black and white, slave and free, who joined forces to create what would come to be known as the Underground Railroad, a movement that occupies as romantic a place in the nation's imagination as the Lewis and Clark expedition. The true story of the Underground Railroad is much more morally complex and politically divisive than even the myths suggest. Against a backdrop of the country's westward expansion arose a fierce clash of values that was nothing less than a war for the country's soul. Not since the American Revolution had the country engaged in an act of such vast and profound civil disobedience that not only challenged prevailing mores but also subverted federal law.
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The New Neapolitan Cinema

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Alex Marlow-Mann, "The New Neapolitan Cinema"
English | ISBN: 0748640665, 0748668772 | 2011 | 256 pages | PDF | 2 MB

The New Neapolitan Cinema
Vito and the Others (1991), Death of a Neapolitan Mathematician (1992) and Libera (1993), the debuts of three young Neapolitan filmmakers, stood out dramatically from the landscape of Italian cinema in the early 1990s. On the back of their critical success, over the next decade and a half, Naples became a thriving centre for film production. In this first study in English of one of the most vital and stimulating currents in contemporary European Cinema, Alex Marlow-Mann provides a detailed, multi-faceted and provocative study of this distinct regional tradition. In tracing the movement's relationship with the popular musical melodramas previously produced in Naples, he reveals how contemporary Neapolitan filmmakers have interrogated, subverted and reconfigured cinematic convention as part of a through-going re-examination of Neapolitan identity. Key features include: analyses of over 45 contemporary Italian films, including Paolo Sorrentino's The Consequences of Love, Mario Martone's L'amore molesto, Antonio Capuano's Pianese Nunzio: 14 in May and Vincenzo Marra's Sailing Home; a theoretical discussion of the concept of regional cinema; an examination of the movement in its broader context as both product and critique of Mayor Bassolino's 'Neapolitan Renaissance'; and a study of one European film industry in terms of legislation, production, distribution and exhibition.
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