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TTC How We Learn (Audiobook)

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TTC How We Learn (Audiobook)
English | MP3 128 kbps | 24 Lectures | 361 MB
Learning is a lifelong adventure. It starts in your mother's womb, accelerates to high speed in infancy and childhood, and continues through every age, whether you're actively engaged in mastering a new skill, intuitively discovering an unfamiliar place, or just sleeping, which is fundamental to helping you consolidate and hold on to what you've learned. You are truly born to learn around the clock.

TTC How We Learn (Audiobook)
But few of us know how we learn, which is the key to learning and studying more effectively. For example, you may be surprised by the following:

People tend to misjudge what they have learned well, what they don't yet know, and what they do and do not need to practice.
Moments of confusion, frustration, uncertainty, and lack of confidence are part of the process of acquiring new skills and new knowledge.
Humans and animals explore their worlds for the sake of learning, regardless of rewards and punishment connected with success.
You can teach an old dog new tricks. In fact, older learners have the benefit of prior knowledge and critical skills—two advantages in learning.
Shedding light on what's going on when we learn and dispelling common myths about the subject, How We Learn introduces you to this practical and accessible science in 24 half-hour lectures presented by Professor Monisha Pasupathi of the University of Utah, an award-winning psychology teacher and expert on how people of all ages learn.

A Course about You

Customers of The Great Courses are already devoted to lifelong learning and may be surprised at how complicated the process of learning is. We have a single word for it—learn—but it occurs in a fascinating variety of ways, which Professor Pasupathi recounts in detail. She describes a wide range of experiments that may strike a familiar chord as you recognize something about yourself or others:

scripts: We have trouble recalling specific events until we have first learned scripts for those events. Young children are prodigious learners of scripts, but so are first-time parents, college freshmen, foreign travelers, and new employees.
Variable ratio reinforcement: Children whining for candy are usually refused, but the few occasions when parents give in encourage maximal display of the behavior. The same principle is behind the success of slot machines and other unpredictable rewards.
Storytelling: Telling stories is fundamentally an act of learning about ourselves. The way we recount experiences, usually shortly after the event, has lasting effects on the way we remember those experiences and what we learn from them.
Sleeper effect: Have you ever heard something from an unreliable source and later found yourself believing it? Over time, we tend to remember information but forget the source. Paradoxically, this effect is stronger when the source is less credible.
Dr. Pasupathi's many examples cover the modern history of research on learning—from behaviorist theory in the early 20th century to the most recent debates about whether IQ can be separated from achievement, or whether a spectrum of different learning styles and multiple intelligences really exist.

What You Will Learn

You start by examining 10 myths about learning. These can get in the way of making the fullest use of the extraordinary capacity for learning and include widespread beliefs, such as that college-educated people already know how to maximize learning or that a person must be interested in a subject in order to learn it.

Professor Pasupathi then covers mistaken theories of learning, such as that lab animals and humans learn in the same way or that the brain is a tabula rasa, a blank slate that can absorb information without preparation. Babies might seem to be a counterexample, showing that you can learn from scratch. However, you examine what newborns must know at birth in order for them to learn so much, so quickly.

Next you explore in depth how humans master different tasks, from learning a native language or a second language, to becoming adept at a sport or a musical instrument, to learning a new city or a problem-solving strategy, to grasping the distinctive style of thinking required in mathematics and science. Then you look inside the learning process itself, where many factors come into play, including what is being learned and the context, along with the emotions, motivations, and goals of the learner. You close by considering individual differences. Some people seem to learn without effort. How do they do it?

Tips on Learning

Along the way, Professor Pasupathi offers frequent advice on how to excel in many different learning situations:

Mastering material: Testing yourself is a very effective strategy for mastering difficult material. Try taking a blank sheet of paper and writing down everything you can recall about the subject. Then go back and review the material. Next, try another blank sheet of paper.
Second-language learning: Becoming fluent in a second language in adulthood is difficult because your brain is tuned to your native language and misses important clues in the new language. To overcome this obstacle, immerse yourself among native speakers of the new language.
Motivating a child: When trying to motivate a schoolchild to learn, avoid controlling language, create opportunities to give the child a sense of choice, and be careful about excessive praise and other forms of rewards, which can actually undermine learning.
Maintaining a learning edge: Middle-aged and older adults can preserve their learning aptitude by exercising to maintain cardiovascular health, staying mentally active, and periodically trying a new challenge, such as learning to draw or studying new dance steps.
Adventures in Learning

Winner of prestigious teaching awards from her university's chapter of Psi Chi, the National Honor Society in Psychology, Dr. Pasupathi brings today's exciting field of learning research alive. Her descriptions of ongoing work in her field, in which she is a prominent participant, are vivid and insightful, allowing you to put yourself into a given experiment and ask, "How would I react under these circumstances? What does this tell me about my own approach to learning?"

By the time How We Learn ends, you will appreciate the incredible breadth of what we learn in our lifetimes, understand the commonality and diversity of human learning experiences, and come away with strategies for enhancing your own adventures in learning.

"Learning is a human birthright," says Professor Pasupathi. "Everything about us is built for lifelong learning—from our unusually long childhood and our large prefrontal cortex to our interest in novelty and challenge." And she finds reason for optimism about the future of humanity due to our almost miraculous capacity to learn.

About Your Professor

Dr. Monisha Pasupathi is Associate Professor of Psychology at the University of Utah. She holds a Ph.D. in Psychology from Stanford University. She joined the faculty at Utah in 1999 after completing a postdoctoral fellowship at the Max Planck Institute for Human Development in Germany.

Professor Pasupathi has been honored multiple times for her teaching. She was named Best Psychology Professor by her university's chapter of Psi Chi, the National Honor Society in Psychology. Psi Chi also awarded her the Outstanding Educator Award and Favorite Professor Award.

Professor Pasupathi's research focuses on how people of all ages learn from their experiences, particularly through storytelling. She is coeditor of Narrative Development in Adolescence: Creating the Storied Self, and her work has been published widely in scholarly journals.

Directory of TTC Teaching Company – How We Learn 2012

01 Myths about Learning.mp3
02 Why No Single Learning Theory Works.mp3
03 Learning as Information Processing.mp3
04 Creating Representations.mp3
05 Categories, Rules, and scripts.mp3
06 What Babies Know.mp3
07 Learning Your Native Tongue.mp3
08 Learning a Second Language.mp3
09 Learning How to Move.mp3
10 Learning Our Way Around.mp3
11 Learning to Tell Stories.mp3
12 Learning Approaches in Math and Science.mp3
13 Learning as Theory Testing.mp3
14 Integrating Different Domains of Learning.mp3
15 Cognitive Constraints on Learning.mp3
16 Choosing Learning Strategies.mp3
17 Source Knowledge and Learning.mp3
18 The Role of Emotion in Learning.mp3
19 Cultivating a Desire to Learn.mp3
20 Intelligence and Learning.mp3
21 Are Learning Styles Real.mp3
22 Different People, Different Interests.mp3
23 Learning across the Lifespan.mp3
24 Making the Most of How We Learn.mp3
How We Learn.txt

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Six Months (Seven Series #2) by Dannika Dark

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Six Months (Seven Series #2) by Dannika Dark
English | March 23, 2014 | ISBN-10: 1495405915 | 340 pages | EPUB | 0.5 MB
Destiny will find you. April Frost is a compassionate young woman with a steady job and ambitious goals. But the harder she runs away from her past, the more it threatens to destroy her. When three strangers enter her life, April is forced to face her demons and it's a battle she may not win.

Six Months (Seven Series #2) by Dannika Dark
Private investigators in the Breed world are men who take risks, and Reno Cole is no exception. As a Shifter, he's expected to control his inner animal. But lately his wolf has been venturing dangerously close to the city, and he's about to discover why. When Reno is reintroduced to a family friend, the attraction is immediate. April captivates him with her secretive eyes and resilient spirit. She's also in trouble, and despite the fact she's a human, Reno can't turn his back on her.

April is caught between two worlds: One that threatens to bury her dreams and another that could fulfill them. Can she trust the wolf at her door and find the courage to overcome her demons?

17+
No Cliffhanger
HEA
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Somebody Tell Aunt Tillie We’re In Trouble! (The Toad Witch Mysteries Book 2)

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Somebody Tell Aunt Tillie We're In Trouble! (The Toad Witch Mysteries Book 2) – Christiana Miller
English | ISBN: 069229256X | September 7, 2014 | 286 pages | EPUB/MOBI | 0.4 MB/0.5 MB
Mara's in hell! Neither one of the guys in her life is talking to her. Paul, her ex-boyfriend, is afraid she's going to give birth to a baby demon-complete with horns and hooves. He wants proof that he's actually the father. And her best friend, Gus, is so obsessed with his new boyfriend and his plans for the late, great, Lord Grundleshanks the Poisonous Toad, he has no time for anyone else.

Somebody Tell Aunt Tillie We’re In Trouble! (The Toad Witch Mysteries Book 2)
After Gus flips the seasons and manages to bring summer into winter, everything starts going weirdly wrong. Summer refuses to leave. Household electronics start going haywire. When J.J., a local boy, vanishes from Mara's car, Mara begins to suspect he's been turned into a rat. But it's such a crazy idea, who could she possibly talk to abut it? Then, her dead Aunt Tillie shows up to warn her that Gus is in trouble-big trouble-and it's up to Mara to save him.

Before Mara can stop him, Gus opens up a portal to Hell and the Devil comes calling. Now, she's got her hands full, trying to find out what happened to J.J., assure Paul she's not going to give birth to a mythological creature, and broker a truce between Gus and the Devil before Gus becomes Hell's newest resident.
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Barbara Oakley – A Mind For Numbers How to Excel at Math and Science

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Barbara Oakley – A Mind For Numbers: How to Excel at Math and Science
English | 2014 | ISBN: 039916524X | EPUB | 336 Pages | 9 MB
Whether you are a student struggling to fulfill a math or science requirement, or you are embarking on a career change that requires a higher level of math competency, A Mind for Numbers offers the tools you need to get a better grasp of that intimidating but inescapable field. Engineering professor Barbara Oakley knows firsthand how it feels to struggle with math. She flunked her way through high school math and science courses, before enlisting in the army immediately after graduation. When she saw how her lack of mathematical and technical savvy severely limited her options—both to rise in the military and to explore other careers—she returned to school with a newfound determination to re-tool her brain to master the very subjects that had given her so much trouble throughout her entire life.

Barbara Oakley – A Mind For Numbers How to Excel at Math and Science

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Electricity Demystified, Second Edition

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Electricity Demystified, Second Edition
Language: English | EPUB / MOBI | ISBN-10: 007177534X | 2012 | 384 pages | 3 MB / 3 MB
Having trouble understanding the fundamentals of electricity? Problem solved! Electricity Demystified, Second Edition, makes it shockingly easy to learn the basic concepts.

Electricity Demystified, Second Edition
Written in a step-by-step format, this practical guide begins by covering direct current (DC), voltage, resistance, circuits, cells, and batteries. The book goes on to discuss alternating current (AC), power supplies, wire, and cable. Magnetism and electromagnetic effects are also addressed. Detailed examples and concise explanations make it easy to understand the material. End-of-chapter quizzes and a final exam help reinforce key concepts.

It's a no-brainer! You'll learn about:
Ohm's Law, power, and energy
Kirchhoff's Laws
Electrochemical energy
Electricity in the home
Protecting electronic equipment
Electromagnetic interference
Practical magnetism

Simple enough for a beginner, but challenging enough for an advanced student, Electricity Demystified, Second Edition, powers up your understanding of this essential subject.
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Shoot Your Novel: Cinematic Techniques to Supercharge Your Writing

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C. S. Lakin, "Shoot Your Novel: Cinematic Techniques to Supercharge Your Writing"
English | ISBN: 099138945X | 2014 | 182 pages | EPUB | 0.2 MB

Shoot Your Novel: Cinematic Techniques to Supercharge Your Writing
Want to write a visually powerful novel? Shoot Your Novel takes an in-depth look at cinematic technique for fiction writers. No other writing craft book teaches you the secret of how to "show, don't tell."
Best-selling authors of every genre know the secret to hooking readers-by showing, not telling, their story. But writers are not taught how to "show" scenes in a cinematic way. Without a clear, concise, and precise method for constructing dynamic scenes, a writer will likely end up with a flat, lifeless novel.

Filmmakers, screenwriters, and movie directors utilize cinematic technique to create visual masterpieces, and novelists can too-by adapting their methods in their fiction writing.

By "shooting" your novel, you can supercharge your story!

Sol Stein, in his book Stein on Writing said, "Readers, transformed by film and TV, are used to seeing stories. The reading experience . . . is increasingly visual." Novelists today-regardless of genre-need to learn how to write cinematically because that's what readers want!

Inside, you'll learn:

The real secret to "show, don't tell" and how it's all about "the moment"
More than a dozen "camera shots" novelists can borrow from screenwriters and directors to create powerful, active scenes
Instruction on how to piece camera shots together to create cinematic scene segments
Examples from novels and screenplays showcasing each facet of cinematic technique
How to devise a thematic image system of key shots, motifs, and images
Ways to use colors, shapes, sounds, and angles for purposeful subliminal effect
Shooting your novel with a filmmaker's eye will transform your good novel into a great one and will change forever the way you approach constructing your scenes. No other book gives you such deep, thorough instruction in cinematic technique for fiction writing.

Here's what some best writing instructors and best-selling authors have to say about this essential writing craft book:

"With such an extensive amount of experience in the screenwriting and filmmaking process (since childhood), it comes as no surprise that C. S .Lakin writes with a trustworthy authority and wealth of insight when it comes to the craft of building dynamic scenes within novels. The pace and flow of Shoot Your Novel makes it easy to follow and the various tips and pointers strewn throughout are succinct. Of particular note is the smart curation of novel excerpts, authors, and filmmakers she cites as examples for the tips she suggests. If you have trouble understanding some of the pointers/tips theoretically, the excerpts always make it more clear.

Having myself adapted The War of the Roses for both film and stage, I can say that I have actually used quite a few of the techniques Lakin discusses and the one I like the most is the use of portraying "daydreaming" when writing from the POV of a character, effectively blending past, present, and future in one single scene-there is a lot of this going on in The War of the Roses and it is one of the aspects of the story flow that has made the rendering of the character a success. Well worth the read!" -Warren Adler, best-selling author of The War of the Roses and Random Hearts

"With Shoot Your Novel, Susanne Lakin does something wonderful and unique. While lots of us in the business of helping writers and storytellers recommend adding vivid images to scenes, Lakin goes much further to reveal how employing the tools and techniques of movie directing, editing and cinematography will give your fiction deeper meaning and greater emotional impact. Her book is an essential tool for any serious novelist." -Michael Hauge, Hollywood screenwriting coach, author of Writing Screenplays That Sell
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Shoot Your Novel: Cinematic Techniques to Supercharge Your Writing

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C. S. Lakin, "Shoot Your Novel: Cinematic Techniques to Supercharge Your Writing"
English | ISBN: 099138945X | 2014 | 182 pages | EPUB | 0.2 MB

Shoot Your Novel: Cinematic Techniques to Supercharge Your Writing
Want to write a visually powerful novel? Shoot Your Novel takes an in-depth look at cinematic technique for fiction writers. No other writing craft book teaches you the secret of how to "show, don't tell."
Best-selling authors of every genre know the secret to hooking readers-by showing, not telling, their story. But writers are not taught how to "show" scenes in a cinematic way. Without a clear, concise, and precise method for constructing dynamic scenes, a writer will likely end up with a flat, lifeless novel.

Filmmakers, screenwriters, and movie directors utilize cinematic technique to create visual masterpieces, and novelists can too-by adapting their methods in their fiction writing.

By "shooting" your novel, you can supercharge your story!

Sol Stein, in his book Stein on Writing said, "Readers, transformed by film and TV, are used to seeing stories. The reading experience . . . is increasingly visual." Novelists today-regardless of genre-need to learn how to write cinematically because that's what readers want!

Inside, you'll learn:

The real secret to "show, don't tell" and how it's all about "the moment"
More than a dozen "camera shots" novelists can borrow from screenwriters and directors to create powerful, active scenes
Instruction on how to piece camera shots together to create cinematic scene segments
Examples from novels and screenplays showcasing each facet of cinematic technique
How to devise a thematic image system of key shots, motifs, and images
Ways to use colors, shapes, sounds, and angles for purposeful subliminal effect
Shooting your novel with a filmmaker's eye will transform your good novel into a great one and will change forever the way you approach constructing your scenes. No other book gives you such deep, thorough instruction in cinematic technique for fiction writing.

Here's what some best writing instructors and best-selling authors have to say about this essential writing craft book:

"With such an extensive amount of experience in the screenwriting and filmmaking process (since childhood), it comes as no surprise that C. S .Lakin writes with a trustworthy authority and wealth of insight when it comes to the craft of building dynamic scenes within novels. The pace and flow of Shoot Your Novel makes it easy to follow and the various tips and pointers strewn throughout are succinct. Of particular note is the smart curation of novel excerpts, authors, and filmmakers she cites as examples for the tips she suggests. If you have trouble understanding some of the pointers/tips theoretically, the excerpts always make it more clear.

Having myself adapted The War of the Roses for both film and stage, I can say that I have actually used quite a few of the techniques Lakin discusses and the one I like the most is the use of portraying "daydreaming" when writing from the POV of a character, effectively blending past, present, and future in one single scene-there is a lot of this going on in The War of the Roses and it is one of the aspects of the story flow that has made the rendering of the character a success. Well worth the read!" -Warren Adler, best-selling author of The War of the Roses and Random Hearts

"With Shoot Your Novel, Susanne Lakin does something wonderful and unique. While lots of us in the business of helping writers and storytellers recommend adding vivid images to scenes, Lakin goes much further to reveal how employing the tools and techniques of movie directing, editing and cinematography will give your fiction deeper meaning and greater emotional impact. Her book is an essential tool for any serious novelist." -Michael Hauge, Hollywood screenwriting coach, author of Writing Screenplays That Sell
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Programming for TV, Radio & The Internet: Strategy, Development & Evaluation

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Programming for TV, Radio & The Internet: Strategy, Development & Evaluation by Lynne Gross
English | Feby 24, 2005 | ISBN: 0240806824 | 344 Pages | PDF | 19 MB
Where do program ideas come from? How are concepts developed into saleable productions? Who do you talk to about getting a show produced? How do you schedule shows on the lineup? What do you do if a series is in trouble? The answers to these questions, and many more, can be found in this comprehensive, in-depth look at the roles and responsibilities of the electronic media programmer. Topics include: Network relationships with affiliates, the expanded market of syndication, sources of programming for stations and networks, research and its role in programming decisions, fundamental appeals to an audience and what qualities are tied to success, outside forces that influence programming, strategies for launching new programs or saving old ones. Includes real-life examples taken from the authors' experiences, and 250+ illustrations!

Programming for TV, Radio & The Internet: Strategy, Development & Evaluation
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