Tag Archives: Videography

Mario Bava: All The Colors of the Dark

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Mario Bava: All The Colors of the Dark By Tim Lucas
2007 | 1104 Pages | ISBN: 096337561X | scanned PDF | 887 MB

Mario Bava: All The Colors of the Dark
Introduction by Martin Scorsese. Foreword by Italian Horror Pioneer Riccardo Freda. This is the Complete Story of Mario Bava's life and careers as director, cameraman and special effects artist. Interviews with more than 100 actors, co-workers, friends and family members. The Definitive Study of each of his films: production histories, cast biographies, critical analysis, and video information. Never-before Published Photos including the only color shots taken on the set of BLACK SUNDAY. Original Mario Bava Storyboards – including the boards for the unfilmed project BABY KONG. Original Mario Bava Artwork – Some in Full Color! Bava's Secret Filmography: His uncredited works as director, cameraman and special effects artist. Complete Videography and Discography. Eugenio Bava (Mario's father) Filmography
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Going Solo: Doing Videojournalism in the 21st Century

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Going Solo: Doing Videojournalism in the 21st Century by G. Stuart Smith
English | 2011 | ISBN: 0826219233 | 216 pages | PDF | 2 MB

Going Solo: Doing Videojournalism in the 21st Century
The traditional model of video news reporting has always had two separate roles: reporting and videography. For years, however, small-market news outlets have relied on "one-man bands"-individual reporters who shoot and edit their own video-for stories and footage. Lately, as the journalism landscape has evolved, this controversial practice has grown more and more popular. With the use of video constantly expanding, many large-market TV stations, networks, and newspaper Web sites are relying on one person to carry out a job formerly executed by two. News outlets now call these contributors VJs, digital journalists, backpack journalists, or mobile journalists. But no matter what they are called, there's no denying the growing significance of solo videojournalists to the media landscape.
details the controversy, history, and rise of this news genre, but its main objective is to show aspiring videojournalists how to learn the craft. While other textbooks depict the conventional reporter-and-videographer model, Going Solo innovates by teaching readers how to successfully juggle the skills traditionally required of two different people.
Award-winning journalist G. Stuart Smith begins by describing how and why the media's use of solo videojournalists is growing, then delves into the controversy over whether one person can cover a story as well as two. He illuminates how, together, the downsizing of the media, downturn in the economy, and growth of video on the Web have led to the rise of the solo videojournalist model. Going Solo profiles TV stations and newspaper Web operations across the country that are using the model and offers helpful advice from VJs in the field. The book presents useful guidelines on how to multitask as a reporter-videographer: conducting interviews, shooting cover video, and writing and editing a good video story. Readers will also learn how to produce non-narrated stories and market themselves in a competitive field.
Smith, who started his career as a "one-man band," insightfully covers an area of journalism that, despite its growing market demand, has received little academic attention. is useful for students learning the basics and those already in the field who need to upgrade their skills. By presenting industry know-how and valuable tips, this unique guidebook can help any enterprising videojournalist create a niche for him- or herself in the increasingly fragmented news media market.
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Wedding Videography Start to Finish by Joanna Silber (PDF)

Joanna Silber, “Wedding Videography Start to Finish”
English | 2011 | ISBN: 1435454480 | 420 pages | PDF | 13 MB
Wedding production is unique in that every shot must be obtained in a single take, as in documentary filmmaking, but the client expects the finished product to look like a feature film, with perfect capture of every moment. Getting good-looking footage, while fighting problems such as loud settings, uncontrollable light and rapid scene changes, make wedding videography very challenging compared to other types of filmmaking. “Wedding Videography: Start to Finish” is the first technical guide that explains how to balance the expectations of the bridal couple with the realities of single-take shooting.

These discrepancies will be explained through lessons in gear selection, shot set-up, how to work in poorly lit conditions, and how to make the best of bad angles, audio and light. The book further explains how to improve and stylize footage through editing and post production techniques. With “Wedding Videography: Start to Finish,” video amateurs and professionals new to wedding coverage alike will find a complete guide on every aspect of becoming a successful wedding videographer, from selecting production gear and software through the shooting and editing process, and even the business aspects of the wedding industry including client expectations, wedding etiquette, legal issues and product delivery.

Summary: A must have resource
Rating: 5

This book offers many great ideas for the videographer just starting out; but it also gives great insight to those who have been in the business for a while. Lots of tips and ideas to help keep your business fresh.

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